Fanfare for the Grenadier Guards was written in 1966, the same year that Leiston Suite was composed and is scored for three trumpets, two trombones and horn in F. The score requests for the trumpets and trombones to be arranged as far apart and opposite each other with the horn, a more distant voice from centre stage. Like Leiston, it is another piece that was recorded by Onyx Brass and directed by John Wilson on their successful Fanfares recording.
In what is a departure for OBP, we have decided to make a version for treble clef instruments that makes it suitable for players who read music for trombone, euphonium or E flat tuba in that clef. Also a part for E flat tenor horn will be included in this version and the two trumpet parts are suitable to be played by two cornets.
To top this all off will will also produce a full version which includes all of the parts from the original and treble clef versions, making it a perfect product for conservatories, colleges or other education establishments where a large number of different instrumental combinations would be able to perform it.
We will announce when this is ready across our social media channels and if it is successful, we will look at trying the same thing for other pieces in the catalogue.
It’s our first new piece in the catalogue for 2021, Leiston Suite by Imogen Holst was recorded by Onyx Brass in 2018 and now is available to purchase from OBP. In five movements, it is suitable to be performed in a number of different orchestrations. Originally scored for pairs of trumpets and trombones, OBP have added alternative parts for Horn in F and Trumpets in C and Imogen Holst created an extra movement making it suitable also for bass trombone or tuba to take the bottom line.
We are honoured to be able to bring you this piece of composing history exclusively on Onyx Brass Publishing and as always it’s available to buy in hard copy or downloadable form. Follow the links below.
We are pleased to announce that Leiston Suite, composed by Imogen Holst in 1967, is soon to be published here at Onyx Brass Publishing. The story of bringing the music into print goes back five years to 2016, and we are very excited that the work is in the last stages of preparation.
Imogen Holst, the only child of Gustav Holst, was deeply involved in the English Musical establishment of the 20th Century. Being educated like her father at the Royal College of Music, she first worked at the English Folk Dance and Song Society, going on to create the music courses at Dartington College, before moving to Aldeburgh in 1952 to become assistant to Benjamin Britten. It’s here she stayed for the rest of her life and alongside Britten and Peter Pears, become Artistic Director of the Aldeburgh Festival from 1956-77. She was awarded a CBE by Queen Elizabeth in 1975 and composed right up until her death in 1984.
Original Title Page of Leiston Suite
The Leiston Suite was discovered by David Gordon Shute, tuba player for Onyx Brass, while researching lost and unrecorded music for the 2018 recording of Fanfares. Along with a lot of Holst’s music, though catalogued, it remained unpublished and unrecorded so naturally piqued Dave’s interest. Along with two other pieces, Fanfare for Thaxted, and Fanfare for the Grenadier Guards, the manuscript was located with help from the Holst Foundation, and the archive of the Britten-Pears Foundation and prepared for the recording that was conducted by John Wilson and released to critical acclaim.
Imogen Holst, Benjamin Britten, Peter Pears
Written for the musicians at Leiston Secondary Modern School, the piece itself is scored for two trumpets and two trombones. In five movements, all of which draw on her lifelong influences of music of the Renaissance and English Folk and Dance, they all stylistically fit into the name of the recording, indeed, one could argue each movement is a fanfare in its own right. In addition to these, Holst also composed an alternative third movement that was to be performed by a bass trombone. In her manuscripts the fifth and alternative third movements in fact seem to have been composed a little later and clearly state bass trombone at the beginning of each movement, instead of tenor like the preceding four. In the recording Onyx Brass omitted the original third movement and performed the piece with permission using the tuba for the bottom part.
Opening Page of Score
Alternative Third Movement
Images from Imogen Holst’s Manuscript
The music that will be presented in its original scoring with all six movements along with added parts for trumpets in C, and horn in F as an alternative to the 1st Trombone part. The 2nd trombone part is suitable to be read by a bass trombone or tuba. We hope you will enjoy this piece as much as we have and the history that is represented within its composition. We also hope to reveal another exciting development concerning this piece very soon.
